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Papers On Art & Architecture
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“Clockwork Orange” and Presumably Offensive Art
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A 7 page paper which examines the film “Clockwork Orange” as well as other art forms that are generally considered to be somewhat offensive. The paper then examines two artists who have been known to shock viewers. Those artists are the photographic artist Andres Serrano and the performance artist Gina Pane. Bibliography lists 3 sources.
Filename: RAclock.rtf

“Crumb” and “Basquiat”
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A 10 page paper which compares the artwork seen in the film “Crumb,” about Robert Crumb, and “Basquiat,” a film about Jean Michel Basquiat. 2 additional sources cited.
Filename: RAcrumb.rtf

“David” as Seen by Donatello, Michelangelo and Bernini
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A 5 page paper comparing the early and high renaissance depiction of David of Donatello and Michelangelo with the baroque representation of Bernini. The viewer is left guessing at what juncture Michelangelo’s David is standing both tense and serene. Donatello’s David clearly has finished his mission but gives no information about the moments preceding. Bernini, by using the baroque concept of time, combines these approaches, thereby placing himself into the baroque period through technique, as well as through chronology. Bibliography lists 10 sources in 14 footnotes.
Filename: KSartDavid.rtf

“Eannatum, Prince of Lagash” and “Woman or Goddess with Snakes” -- Ancient Art Representing Ancient People
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This 5 page report discusses two works of ancient art from Sumeria/Mesopotamia and the Greek island of Crete, home of the Minoan culture. The actual artworks are considered as well as what they represent for the ancient cultures from which they were created. Bibliography lists 6 sources.
Filename: BWlagbce.wps

“Graphic Design and Modern Technology”
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A five page paper which looks at the ways in which computer technology and the globalisation of communication has changed design concepts, and the extent to which such technology is leading towards a ‘paperless society’. Bibliography lists 3 sources.
Filename: JLcompdesign.rtf

“Impressionism and Patronage”
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A five page paper which looks at the extent to which the early impressionists were dependent on the patronage of individuals for the exhibition and preservation of their work, and the necessity for patronage in regard to art which does not have immediate popular appeal in the commercial market. Bibliography lists 3 sources.
Filename: JLimppatron.wps


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